“In a Eweleaze Near Weatherbury” (Illustrations 154) Hardy’s famous drawing of a pair of glasses superimposed on a pastoral landscape, an illustration for the poem “In a Eweleaze near Weatherbury”, is chosen by Catherine Lanone as her starting-point in the essay she wrote for this volume. What better illustration could be found for our subject, whose problematics is the connection between desire and the gaze? Indeed the onlooker requires glasses to see the landscape better: are we not all aff..
This article explores and presents the reciprocal nature of looking between two objects, making the ...
This is an Accepted Manuscript of a book chapter by Routledge in Wonder in Contemporary Artistic Pra...
International audienceThe article studies the ambivalent, if not antithetical, qualities of glass – ...
This paper considers the clinical terms used by Thomas Hardy to build a model of misvision and misse...
Starting from J. Hillis Miller’s work on distance and desire as two of the “outlining threads” of Ha...
The eye in Thomas Hardy’s fiction is often felt as a menace, like the “oval pond” in Far from the Ma...
This thesis examines two specific interventions in vision theory—namely, Herbert Spencer\u27s theory...
The article studies the ambivalent, if not antithetical, qualities of glass – both a substance and a...
The concept of the "gaze" is a trope that frequently manifests itself in Postmodern poetry especiall...
My thesis is based on the characteristics of Hardy's pictorial art. I believe that his treatment of ...
Drawing on the latter thinking of Maurice Merleau-Ponty, as well as on the ideas of other contempora...
In his essay “Why Look at Animals?” art critic John Berger discusses the gaze between humans and ani...
The interrelationships between vision, desire, and language are the elements that drive my artistic ...
Although a number of researchers have interpreted what J. Lacan had said about vision, most of their...
The article compares the aesthetic notions of the je ne sais quoi (as it emerges in the Renaissance ...
This article explores and presents the reciprocal nature of looking between two objects, making the ...
This is an Accepted Manuscript of a book chapter by Routledge in Wonder in Contemporary Artistic Pra...
International audienceThe article studies the ambivalent, if not antithetical, qualities of glass – ...
This paper considers the clinical terms used by Thomas Hardy to build a model of misvision and misse...
Starting from J. Hillis Miller’s work on distance and desire as two of the “outlining threads” of Ha...
The eye in Thomas Hardy’s fiction is often felt as a menace, like the “oval pond” in Far from the Ma...
This thesis examines two specific interventions in vision theory—namely, Herbert Spencer\u27s theory...
The article studies the ambivalent, if not antithetical, qualities of glass – both a substance and a...
The concept of the "gaze" is a trope that frequently manifests itself in Postmodern poetry especiall...
My thesis is based on the characteristics of Hardy's pictorial art. I believe that his treatment of ...
Drawing on the latter thinking of Maurice Merleau-Ponty, as well as on the ideas of other contempora...
In his essay “Why Look at Animals?” art critic John Berger discusses the gaze between humans and ani...
The interrelationships between vision, desire, and language are the elements that drive my artistic ...
Although a number of researchers have interpreted what J. Lacan had said about vision, most of their...
The article compares the aesthetic notions of the je ne sais quoi (as it emerges in the Renaissance ...
This article explores and presents the reciprocal nature of looking between two objects, making the ...
This is an Accepted Manuscript of a book chapter by Routledge in Wonder in Contemporary Artistic Pra...
International audienceThe article studies the ambivalent, if not antithetical, qualities of glass – ...